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Inks
are an excellent medium for line drawing, wash illustration and
lettering work, and are suitable for most drawing surfaces. Inks can
be made from pigments or dyes. Pigmented inks are typically permanent,
smudge-proof and water-resistant. Colored dyes lend brilliant hues but
they tend to fade with time. Dyes are not recommended for permanent work.
Inks are made from solutions of carbon particles suspended in water
and mixed with a binder such as shellac. Depending on the binder, they
can dry to a matte or glossy finish, be opaque or transparent and can
be mixed with each other and overlaid to create an infinite variety
of shades and tones. Inks can also be water- or oil-based. Black
drawing ink, sometimes referred to as India or Indian ink, is the popular
ink for pen drawing as well as in calligraphy. Originally sepia ink
was prepared from the ink sac of a squid or cuttlefish and was the vogue
in 18th century European brush drawing. Today it is made in with modern
methods.
Inks are primarily applied with brushes or pens.
They are sold in glass or plastic bottles with eyedropper caps, or in
squeeze-bottles with narrow necks. Both allow you to fill a pen easily
without spillage. There also are inks specially made for technical pens,
graphic design use and airbrush applications. All brushes and pens that
come in contact with ink should be washed immediately when work finishes
because, once dry, ink is very difficult to remove.

Most technical pens are refillable but
many use their own compatible ink cartridges that should never be refilled
from a bottle but discarded once empty. Inks for reservoir type pens
are available in filler bottles. Some drawing inks contain a high proportion
of shellac that dries quickly and can clog the fine filament inside
the ink delivery system within the nib. The most suitable ink is one
that is free flowing but quick-drying, with good adhesion qualities.
Some water-based dyes do not have sufficient viscosity for technical
pens, causing the dye to flow too freely from the nib and flood the
drawing. These should be avoided if possible.

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Tonal and Textural Effects Using Ink
Top Row (left to right): ink into water, dry
brush dragged, broad nib pen, crosshatch on dry and wet paper.
Second Row (left to right): technical pen dot
and crosshatch, continuous line fountain pen, fine technical pen pattern,
crosshatch with a technical pen.
Third Row (left to right): diluted ink crosshatch,
technical pen dot.
The
Chinese are often credited with the discovery of ink nearly 4,500 years
ago. They made a black ink by mixing soot from burned oils with resin
and gum from trees. This particular black ink is sometimes called lamp
black, which refers to the earthen-ware lamps used to burn the oil.
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