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Canvas fabric can be woven both from natural and synthetic fibers.
The natural fibers most commonly used are linen and cotton. Linen is
by far the superior because of its strength and resistance to decay.
Woven from flax, the weave persists throughout many layers of paint
in both fine and coarse textures. This is the fiber that Rembrandt’s
masterpieces are painted on.
Although inferior to linen, cotton is used more frequently for economic
reasons. The cotton family offers many different fabric types. Duck
cotton is fairly thick and is good for all-purpose painting. Jute cotton
is rough-textured and loosely woven. It is excellent for impasto techniques
but is not recommended for permanent pieces of work. Osnaburg cotton
is made of single yarns and is generally of a lesser quality than duck.
It is good for non-permanent student work. Cotton sheeting is closely
woven and smooth, making it good for detail work. Within types of cotton
fabrics many different weaves are available such as Alabama, Atlanta
and Dallas weaves.

A Few Words About Grounds
Similar to applying a basecoat primer when painting a wall at home,
canvas must also be primed using a ground. Because canvas is a porous
surface, paint can seep into its fibers like a sponge. Priming the canvas
prevents this seepage. The most common ground used is gesso, which should
be applied in several coats. Gesso can safely be used with both oil
and acrylic paints. Canvas is available already prepared with a ground,
or in the raw. Canvas boards and pre-stretched canvas are generally
pre-primed. Always be sure to gesso even pre-primed canvas, to ensure
maximum archival standards and premium surface quality.
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Helpful Hint
Stretching Your Own Canvas
To assemble and craft your own canvas requires only the use of a few
tools. This method is more economical than purchasing pre-stretched
canvas, plus it’s easy to create custom sizes. Besides the canvas
itself, you will need stretcher bars, canvas pliers and a heavy-duty
stapler. Stretcher bars are wooden frames available in different lengths
to which the canvas is attached. Begin by fitting four stretcher bars
together to form the desired size square or rectangular frame. Cut your
canvas at least 1-1/2" to 2" bigger than the frame on all
sides (preferably 3" to 4" bigger) to account for overlap
around the stretcher frame. Lay the canvas down on a large, clean flat
surface like the floor. Place the frame down in the middle of the canvas.
Fold one side of the canvas onto the frame, and staple it once in the
center. Fold and staple the opposite side, then the remaining sides,
using canvas pliers to pull the canvas taut as you work. Once all the
sides have been tacked in place, continue to add staples working out
from the center, stopping when you are close to the corner. When all
sides are completely stapled, it is time to finish the corners. Pull
one corner of the canvas taut and staple it to the corner of the frame.
Then smooth the flaps and staple them down. Complete the remaining corners
the same way. This will create tight, neat corners.
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